EXHIBITION ESSAY’S
DIALECT, solo exhibition
by Sergi Rusca, curator RADIUS CCA
2024
Femke Herregraven: A Ground Zero for the Imagination, Prix de Rome 2019
by Maarten Buser / Jap Sam Books
2019
A reversal of what is expected, solo exhibition
by Kristina Scepanski, curator Westfälischer Kunstverein
2018
INTERVIEWS
Femke Herregraven onderzoekt financiële structuren en maakt daar verleidelijk vervreemdende kunst over
by Lucette ter Borg / NRC Handelsblad
March 5, 2025
Femke Herregraven wint belangrijke kunstprijs
by Jeroen Wollaars / NOS Met het oog op morgen
March 7, 2025
Interview: Femke Herregraven: ‘Kunstenaars speculeren constant’
by Sjors Roeters, photos by Stijn de Vries / Vrij Nederland
January 28, 2025
Diving with a coffin on your back – A conversation with Femke Herregraven and Defne Ayas
by Maarten Buser / Metropolis M
2021
Stocktaking – Daniel Keller in conversation with Femke Herregraven
Art Papers – Ports of Call, guest edited by Carson Chan
2018
The Game of Life – Interview with Femke Herregraven and Ana María Gómez López
by Leonardo Dellanoce for ‘Migrant Journal 5 – Micro Odysseys’
2018
Cultuurbarbaren
tv documentary, Tegenlicht VPRO
2016
Interview with Femke Herregraven
by Gabriela Acha, AQNB
2016
Femke Herregraven and Natasha Hoare in conversation
Art in the Age of … , Witte de With Publishers
2015
Artist profile: Femke Herregraven
by Lucy Chinen, Rhizome.org
2014
Taxodus
tv interview, De Wereld Draait Door, Nederland 3
2013
Femke Herregraven: Glass houses, Roman numerals and shady worlds – Taxodus
by Annet Dekker, Furtherfield.org
2012
REVIEWS, PRESS
2025 / Kunstenaar Femke Herregraven neemt zaterdag de Theodora Niemeijer Prijs in ontvangst. ‘Haar werk is anders dan alles wat we kennen’ / Volkskrant / by Anne van Leeuwen
2025 / Het water was er al / Groene Amsterdammer (January 22, 2025) / by Joke de Wolf
2023 / 12th Seoul Mediacity Biennale Review / ArtReview / by Ophelia Lai
2023 / Sacrificial Energy / Brand New Life / by Rose-Anne Gush
2023 / Someone is Getting Rich / De Witte Raaf
2023 / Het Tropenmuseum laat zien hoe ons financiële systeem nog steeds vergroeid is met het kolonialisme | De Volkskrant (17 Mei 2023)
2023 / Kunst legt narratieven van extractie bloot |Mr. Motley / by Jeff Diamanti
2023 / Het transnationale onderzoek van On-Trade-Off | Metropolis M (2023)
2022 / Exhibition Review: Our Silver City, 2094 | Left Lion (2022)
2022 / ‘Our Silver City, 2094’ Finds Hope in an Age of Climate Crisis / ArtReview
2019 / Femke Herregraven – Supercalifragilisticexpialidocious* | Metropolis M
2019 / Maximum Crisis Maximum Calm – Prix de Rome 2019 | Metropolis M
2019 / Met kunst op de feiten gedrukt / Metropolis M / by Lua Vollaard
2018 / Sensing the State / Metropolis M / by Herbert Ploegman
2018 / Extra States: Nations in Liquidation at Kunsthal Extra City / Ocula Magazine / by Stephanie Bailey
2018 / De kunstenaars van de Rijksakademie waar we nog veel meer van willen horen / Vice Magazine
2018 / Rijksakademie gooit haar ateliers open / Parool / by Kees de Keijser
2018 / The State is not a work of Art / Frieze (2018)
2018 / De Hollandse Savanne / De Witte Raaf / by Edo Dijksterhuis
2018 / De Hollandse Savanne / Metropolis M / by Merle Smeets
2017 / A quest towards thinking in oceanic ways, Mousse Magazine / by Heido Ballet and Stefanie Hessler
2017 / How much capitalism can we see from the moon? Monthly spotlight: Femke Herregraven / by Charlie Mills
2016 / New Money – Designing for digital in the age of dematerialised cash
Designo / by Tamar Shafrir
2016 / Top 10 Artist of 2016 / POSTMatter
2016 / Het snelste geld ter wereld / De Groene Amsterdammer
2015 / anti.data / Metropolis M / by Annet Dekker
PUBLISHED ARTICLES
On Prospecting: Visual Culture between Extraction and Speculation
by Theo Reeves-Evison / Environmental Humanities Journal
2024
Capitalocene Art: Entanglements of Technology, Economy, and Geopolitics in Works of Femke Herregraven, Angela Melitopoulos, and Hito Steyerl
by Katja Kwastek / Retracing Political Dimensions, published by De Gruyter
2021
Coping with Planetary Wars
by Martin Guinard, Eva Lin, and Bruno Latour / e-flux Journal #114
2020
Femke Herregraven’s ‘Malleable Regress’
by Katja Kwastek, professor of modern and contemporary art history, Vrije Universiteit Amsterdam, Kunstlicht #4
2017
The All Infrared Line – Femke Herregraven’s art on financial capitalism
by Leonardo Dellanoce
2016
TEXTS BY ME
2020 / Corrupted Air / Metropolis M, Troebele Waters
2019 / Materiality of Liquidity / Cabinet Magazine
2019 / Er is geen landschap, hoe ver ik ook kijk / Mister Motley, Tendens 19
2018 / Hyperscaler Ecotones / Body, Work, Leisure, edited by Marina Otero Verzier and Nick Axel, published by Hatje Cantz
2017 / New Dragons for the Markets / Glubbdubdrib
2016 / The All Infrared Line / MacGuffin #3 – The Rope
2015 / Volatility Storms / extinct.ly, Serpentine Galleries
2015 / Robotic Arms, Crabs and Algos – The Arctic Ocean floor as new financial frontier /
2013 / The Orbiting Gaze / The Dark Universe, Sonic Acts Press
2013 / Geographies of Avoidance / The Dark Universe, Sonic Acts Press
2012 / Hyper-butter, Mana-batteries / Volume Magazine #32 / icw Chris Lee
2012 / Conflict Couture / Scapegoat Journal for Landscape and Political Economy (2012)
2011 / Caribbean Mirage, living in a blindspot of financial architecture
2010 / Design Noir – Embracing worlds gone wrong